Review: Take Me Home

By this point we all know One Direction. Whether you like it or not, you’ve heard at least one of their songs and you’ve found yourself with it stuck in your head. Now, hear me out when I say that that isn’t a bad thing. The 1D boys may produce candy coated pop tracks on a (double) platinum platter, but they do it with a lot of talent. Don’t write them off just because they’re perfectly coiffed, don’t pen their own stuff and spend their time on the Top 40s charts. 

While ‘Up All Night’ was a piece of solid pop dynamite, it left fans wondering about this band’s shelf life. (After all, the boy band life expectancy isn’t exactly the longest in the music industry.) Could they create another album with the right amount of head bobbing pop beats that didn’t sound like UAN 2.0? Or would they find themselves the victims of the sophomore slump?

Well, 1D fans, it is safe to say that the boys managed to pull off a piece of perfectly polished pop perfection. (I do so love alliteration, don’t you?) Boasting the likes of tracks like “I Would,” “Heart Attack,” and “Kiss You,” the boys show just how much they’ve learned from their boy band contemporaries. (Is it just me, or does it feel a helluva lot like the ’90s again?) ‘Take Me Home’ does what any good pop album sets out to do, and that’s make listeners want to dance. But it’s more than that.

With two songs from Ed Sheeran, the album manages to also create downtime for fans to catch a breather from the faster, punchy songs that surround them. They will also end up as fan favorites given it seems the popular consensus that Sheeran is a lyrical genius. 

It’s every bit of catchy as one would expect from 1D, and shows just how much the band has grown. Pulling from the likes of Queen for songs like “Rock Me” and Michael Jackson for “Heart Attack,” they manage to show, for lack of a better word, haters that they are more than just kids who listened to heavily synthesized pop music of the early ’00s. (A common misconception given the artists the boys actually listen to.) 

It does need to be said, however, that the ending track— at least the normal, not deluxe or yearbook edition ending track— isn’t one of the best album closers out there, leaving listeners, at least this listener, like they’re missing something. It’s a nice track, sure, but definitely one that could have been left on the cutting room floor, or at least made into a bonus track.

Maybe it isn’t mature in the fact that they didn’t decide to suddenly change genres, but the album does show that they’ve grown up quite a bit from the doe eyed, long haired teens of “The X Factor.” Fans of the band are undoubtedly going to love it, especially since they could probably release covers of The Wiggles and some listeners would still eat it up. (Okay, maybe not that far.) But what’s best is TMH will— or at least should— gain them respect from those who signed them off as a band with their fame handed to by Simon Cowell. 

‘Take Me Home?’ It’s an accurate title given that’s exactly what you’re going to want to do with this album.

4/5

Standout Tracks: “I Would,” “Kiss You,” “Heart Attack,” and “Over Again.”

‘Take Me Home’ drops November 13 via Syco and Columbia.